Friday

Letters from India: The Traffic

Well, its been raining like crazy here in Haldwani. The mighty gods of downpour haven't gotten tired after a relentless onslaught that has lasted more than 15 days straight. Added to this, the fact that I have had a mild fever has prevented me from leaving my house and going on strolls down the roads of the town a lot.

Most of my visits have been to the local market with the barber shop being my most regular flirtation. A head massage at a mere Rs. 10 is a real steal and another 10 for shave with a thorough champi doesn't hurt either.

I have a TVS scooty here. Weighing at a mere 20 kgs (I guess), I sometimes wonder if its going to hold up to all those gusts which are the hallmark of these mountain areas, but it has performed just great till now. You have to leave the country for a long time and drive in more controlled regions to appreciate the skill that is required to drive on one of these market roads. Its almost magical how order springs out of utter chaos, how maddening mess gives way to self regulated patterns. At first its all scary. The honks, the trucks at sniffing distances, the odd cars springing on the road from nowhere, the dogs, the cows all jostling for their 2 yards, the seemingly infinite traffic jams. But its funny how everything resolves itself. And you don't really see anyone caring too much. They just sit there on their lunas and cycles and rickshaws and cars, all stuck in that small area, but hardly anyone gets flustered enough to start throwing tantrums. Yes, the honks are blaring with the continuity of a bass guitar in a rock concert but thats more a way of saying, 'I am still waiting but please, do take your time'. Nobody expects anyone to go anywhere. Nobody CAN go anywhere unless someone just evaporates. But the horns keep blaring, as if to break the monotonicity of the static harmony that has resulted from the extreme pandemonium. And you wait and wait and wait until you see a glimmer of hope as the vehicle in front of you moves just so slightly. Really, the exhilaration of seeing that one movement beats the joy of most of the achievements of an average human being. It takes time but somehow it all starts to make sense. The crowd helps each other to start two lanes each going in the opposite direction. The sun starts to seem more benign as even the wind starts to sway the adjoining trees. Slowly but surely the huge mass of humanity divides itself into two portions, each grazing past each other with the proximity of two finely cut blocks of magnets and the speed of a turtle on a crack. It takes another 10 minutes but I am off, my scooty blaring its throat out at a healthy speed of 30 kmph.

In many ways, driving in India is much safer than driving in America. The obvious reason is the speed. When your highest speed is just 40, you can hardly expect grisly mutilation as your fate, if caught in an accident. But more than that, its the lack of a surprise element in the Indian context, which makes driving here so safe. Once you have driven here for 2 or 3 days and had your share of perpendicularly darting dogs, suddenly springing motorcyclists thinking they have a jet pack, reckless car-drivers thinking... well hardly, you kind of stop taking things for granted. You view every corner with the suspicion that would have done Sherlock Holmes proud. You see every street animal as a potential trap, specifically placed at that location to start moving at the worst possible time. You hardly have to ever look into the rear view mirrors as you can always take the presence of another driver right by your throat for granted. No need to look sideways too, since that space too would most probably be taken. Might as well put a cello tape on the horn and be done with the responsibility of pressing that darn button every 2 microseconds. Where are the surprises ? I say, you have to be a real 'good' driver to screw up here in India.

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Like a particularly notorious child's tantrums, a mountaneous river's intemperance, a volcano's reckless carelessness and the dreamy eyes of a caged bird, imagination tries to fly unfettered. Hesitant as she takes those first steps, she sculpts those ambitious yet half baked earthen pots.