After considerable deliberation and thinking it has occured to me that the most serious issues in life are more efficiently dealt with by the most trivial of mediums and seemingly the most simplistic of perceptions. I have seen that knowledge and information beyond a point have a way of muddling up facts, smearing up connections and finally blurring up conclusions into an incoherent mass of half baked opinions. Experience, although a worthy teacher, more often than not, only serves to consolidate ideas already seething with subjective bias. In a world too messed up with complex opinions, I find that the most intelligent observations and the most heartfelt commentaries occur in mediums deemed too stupid for intellectual discussions.
That is why I feel that comics have such an important place in society. They are not expected to be the mouthpiece of rationality and social change. They are not expected to be intelligent commentaries on economic problems and moral regression. No one expects them to speak thoughtfully on matters pertaining to religion and humanity. That is precisely the reason why the field is infested with idiots like Jim Davis but the fact of the matter is that only because comics are not obligated to be any of the above, their creators have the freedom to make them all of it and more. And in the past, atleast some of them have taken it upon themselves to make their creations more than just slapstick humor.
One that obviously comes to mind and to which I have alluded a number of times previously is Calvin and Hobbes. With the deft social commentary on issues as varied as the hypocritical nature of modern artist to man's complete failure at preserving the purity of planet Earth, C&H manages to speak much more than those bloated politicians and conceited economists. With Calvin, Watterson on one hand manages to evoke the nostalgia of simplicity, purity and innocence and on the other paints a lighthearted yet grim pictutre of a world increasingly getting encroached with degrading morality. He speaks about the evanescent nature of life with the same wit and tone as when he recounts Calvin's simple flirtations with Susie Derkins. He derides a whole generation caught in the celebrity obsession, ruefully talks about the encroachment of privacy by reality shows and silently snubs the go-getter, high octane, win-or-die attitude that drives today's economy. All in all, Watterson speaks with the detachment of an outsider and the sadness of someone who has lost all hope, and he manages to bring some really dark issues to light. He makes you (atleast me) think about our misplaced priorities in life, and he does it all in a very matter of fact, straight in your face way.
The other comic that seems to be too intelligent to be recommended just for 6 year olds is Peanuts by Charles Schulz. With the extremely simple drawings lacking even the most basic ornateness, Schulz delineates the most tender of emotions. Watterson himself once said of Schulz: "We recognize ourselves in Schulz's vividly tragic characters: Charlie Brown's dogged determination in the face of constant defeat, Lucy's self-righteous crabbiness, Linus' need for a security blanket, Peppermint Patty's plain looks and poor grades, Rerun's baffled innocence, Spike's pathetic alienation and loneliness. For a "kid strip" with "gentle humor," it shows a pretty dark world, and I think this is what makes the strip so different from, and so much more significant than, other comics. Only with the inspired surrealism of Snoopy does the strip soar into silliness and fantasy. And even then, the Red Baron shoots the doghouse full of holes.". Schulz has managed to inspire a whole generation of cartoonists and made them realize the possibilities vested in the simplicity of the quill brush lines. He has managed to elevate a supposedly trivial medium to an art form just by his gifted insight and tremendous creative ability.
Finally comes Krazy Kat by George Herriman. Actually I am not familiar enough with the strip to speak intelligently about it but I have read quiet a lot about it and am intending to read it some time in the future. The strip was syndicated way back in 1913 and it ran in newspapers till 1944. Although widely regarded now as the most intelligent and poignant strip ever created, it did not see popularity till the later half of the century. The premise, although extremely drab and monotonous by present standards, nevertheless gave the artist enough room to create lush landscapes peppered with ornately poetic language and subdued yet deep emotions of unrequited love and absolute apathy.
I find that human ego is too much of a detriment today to find common grounds over social issues from which a clearer perspective could be gained. Spurred by the prejudices accumulated over a lifetime, people become far too inflexible to yield even a yard of ground to opposing views. In such a case, I'd rather just let the flights of fantasy of Calvin take me to a world thats much more simpler, much more truer, much more honest and frankly speaking much more in-tune with me.
That is why I feel that comics have such an important place in society. They are not expected to be the mouthpiece of rationality and social change. They are not expected to be intelligent commentaries on economic problems and moral regression. No one expects them to speak thoughtfully on matters pertaining to religion and humanity. That is precisely the reason why the field is infested with idiots like Jim Davis but the fact of the matter is that only because comics are not obligated to be any of the above, their creators have the freedom to make them all of it and more. And in the past, atleast some of them have taken it upon themselves to make their creations more than just slapstick humor.
One that obviously comes to mind and to which I have alluded a number of times previously is Calvin and Hobbes. With the deft social commentary on issues as varied as the hypocritical nature of modern artist to man's complete failure at preserving the purity of planet Earth, C&H manages to speak much more than those bloated politicians and conceited economists. With Calvin, Watterson on one hand manages to evoke the nostalgia of simplicity, purity and innocence and on the other paints a lighthearted yet grim pictutre of a world increasingly getting encroached with degrading morality. He speaks about the evanescent nature of life with the same wit and tone as when he recounts Calvin's simple flirtations with Susie Derkins. He derides a whole generation caught in the celebrity obsession, ruefully talks about the encroachment of privacy by reality shows and silently snubs the go-getter, high octane, win-or-die attitude that drives today's economy. All in all, Watterson speaks with the detachment of an outsider and the sadness of someone who has lost all hope, and he manages to bring some really dark issues to light. He makes you (atleast me) think about our misplaced priorities in life, and he does it all in a very matter of fact, straight in your face way.
The other comic that seems to be too intelligent to be recommended just for 6 year olds is Peanuts by Charles Schulz. With the extremely simple drawings lacking even the most basic ornateness, Schulz delineates the most tender of emotions. Watterson himself once said of Schulz: "We recognize ourselves in Schulz's vividly tragic characters: Charlie Brown's dogged determination in the face of constant defeat, Lucy's self-righteous crabbiness, Linus' need for a security blanket, Peppermint Patty's plain looks and poor grades, Rerun's baffled innocence, Spike's pathetic alienation and loneliness. For a "kid strip" with "gentle humor," it shows a pretty dark world, and I think this is what makes the strip so different from, and so much more significant than, other comics. Only with the inspired surrealism of Snoopy does the strip soar into silliness and fantasy. And even then, the Red Baron shoots the doghouse full of holes.". Schulz has managed to inspire a whole generation of cartoonists and made them realize the possibilities vested in the simplicity of the quill brush lines. He has managed to elevate a supposedly trivial medium to an art form just by his gifted insight and tremendous creative ability.
Finally comes Krazy Kat by George Herriman. Actually I am not familiar enough with the strip to speak intelligently about it but I have read quiet a lot about it and am intending to read it some time in the future. The strip was syndicated way back in 1913 and it ran in newspapers till 1944. Although widely regarded now as the most intelligent and poignant strip ever created, it did not see popularity till the later half of the century. The premise, although extremely drab and monotonous by present standards, nevertheless gave the artist enough room to create lush landscapes peppered with ornately poetic language and subdued yet deep emotions of unrequited love and absolute apathy.
I find that human ego is too much of a detriment today to find common grounds over social issues from which a clearer perspective could be gained. Spurred by the prejudices accumulated over a lifetime, people become far too inflexible to yield even a yard of ground to opposing views. In such a case, I'd rather just let the flights of fantasy of Calvin take me to a world thats much more simpler, much more truer, much more honest and frankly speaking much more in-tune with me.
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