Some Thought Experiments

Its an utterly beautiful concept. And it provides so much insight into the nature of knowledge.

Suppose you are sitting in a car and the car is accelerating forward. What do you feel ? Well, a push backwards. Suppose the car is accelerating up. Now what do you feel ? A push downward. Now suppose that you cannot look out of the window of the car. Can you tell whether you are accelerating ? Yes, ofcourse by the push. But suppose you are out in the space with no gravity and you are accelerating at precisely 9.8 m/s^2 (the acceleration with which you fall on Earth). Now the big question. Can you differentiate between two possible situations ? Are you in an accelerating spaceship or are you just sitting on the surface of the Earth ? Well, the answer is no ! So how do you really differentiate between gravity and any other acceleration ?

Consider another situation. Suppose you are in a lift in a very tall building and the lift rope snaps. You start falling down. Will you be able to differentiate this situation compared to one where you are out in the gravity free space ? Well the answer is, to a high experimental degree, no. But everything is not lost and it is this small thing which is left, that defines gravity. Consider the lift example again and also consider that as soon as the rope snaps, you let go of two rocks which you were holding in each of your hands. What happens to the rocks as they fall down along with you and the lift. First of all, they will be stationary to your eyes since you are also falling down as fast as them. But wait ! Everything is falling towards a common center i.e. the center of the earth. So the rocks are not exactly following a parallel path but their paths are going to intersect if the lift somehow reaches the center of the Earth. Hence, if you could measure closely enough, you would notice the rocks coming towards each other extremely slowly. And herein lies the clue which gives the secret presence of gravity away ! Its funny in a certain way. To put it down in a fancy way, Gravity does not manifest itself uniquely by the act of the falling down of an object but by the act of apparent mutual attraction between two objects ! Would the situation be any different, if instead of rocks you had used gold blocks or wood or even electrons? Absolutely not. So in essence, everything irrespective of its material will follow the same curved path which is being followed by the rocks. Here is where Einstein took a big leap in imagination. Is the path of the rocks a property of space itself ? Is there no gravity ? Is it just the curved space which decides the path of the rocks and not some mysterious gravitation force ? In essence, is it just GEOMETRY ! And sure it was. The thought experiment which upstaged more than 200 years of the notion of Gravity.

So I am led to ask. All the knowledge is surely out there. Is it just begging a more insightful eye and a more daring imagination ?

A Suspended Animation ?

Now that I think of it, I have spent the last couple of years of my life in a sort of suspended animation, some kind of a make-believe, beautiful, intellectual world.

I have invented excuses for being transported into this other-world. I have more or less shunned the realization that a 'normal' life outside of my ideal world exists.

First it was chess. My obsession with the game although failed to see me grow into a better player, certainly made me scour its history and strategies and tactics and previous matches and players and their playing styles. During the 6 months of my wholehearted devotion towards the game, I read about half a dozen biographies notably those of Kasparov, Morphy (American player in the 1800s and considered to be the best ever), Capablanca (Cuban player famous for his aggresiveness). I read books about the various openings and attack styles employed in the game. I went through and replayed the moves of the famous games of the past. I ventured into an understanding of the way a machine plays the game differently than a human. In short, I must have 'wasted' almost 6 hours from my daily schedule for atleast 6 months straight.

Then it was poetry. As my interest began to grow in this utterly beautiful medium of human expression by my introduction to Ghalib's urdu poetry, I realized the silken genius with which the most eloquent minds spoke. After reading the works of Mir Taqi Mir, Ghalib, Afghani etc. I thought of giving Hindi poetry a try. I instantly became a fan of Harivanshrai Bachchan's prose and poetry and then went on to read many more brilliant writers like Dinkar, Neeraj, Mahadevi Verma, Gulzar etc. I started contributing to the hindi parts of wikipedia and also devoted a blog to writings especially in Hindi and Urdu. This passion has withstood the test of time and I am as engrossed in the field now as I ever was.

My latest craze is Audrey Hepburn, the beautiful actress and humanitarian who died in 1993! Without going into the details, I should just suffice to say that I have done little in the last 1 month apart from researching on her and watching her movies.

Is it wrong ? The way I tend ignore the real world ? I guess, to a rational eye, it is, but the fact remains that the real world is a drab place to live in. It lacks the melancholy beauty of poetry, the intellectual stimulation of chess and the intoxicating allure of those eyes. It does not appeal to the heart and for me, happiness does not lie in it. Nature is beautiful, physics is beautiful, artistic expression is beautiful but the daily chores of life are woefully insipid. They are just an inconvenience I have to live through.

The Ferry Rides

While discussing with a friend today about things unimportant and trivial, we happened to come across some old memories. Old college memories. He, of IIT Bombay with its panthers and crocodiles and snakes and crappy food and dingy hostels and fun life in general. I, of IIT Guwahati with its snakes and crocodiles and crappy food and fun life and those ferry rides across the Brahmaputra.

For the uninitiated, Brahmaputra is one of the most important and mighty rivers of the Indian subcontinent. Originating near Mount Kailash in Northern Himalayas, it traverses the states of Arunachal Pradesh and Assam in North East India before joining the Bay of Bengal. Although to the general public, the river is known more for its depth, its flow, its width etc., for the students of IIT Guwahati first year, the river is known more for the notoriety which it showed when it so mercilessly separated the college from human civilization on the North.

The bus, which plied between our college and the city, although the prudent option, nevertheless, lacked the excitement of a ferry ride across the Brahmaputra. So more often than not, we used to cross the river on a boat. My old memories are especially vivid and dear of those days when the weather used to be overcast. I used to cycle my way from the college to the ferry ghat on the mud path which traversed through a thicket of coconut trees and adjoining straw huts like a snake in a forest. Especially during those rainy days, I relished the touch of the cold moisture laden air, the view of the distant cloud covered mountain tops, the smell of the slightly moistened earth indicating an impending downpour and the sound of chirping birds in the adjoining undergrowth.

The ticket for the ride used to cost about 1.5 rupees (about 3 cents!). The boat had wooden benches to sit and those were covered with a thick tin sheet on the top. I always used to sit on the top where it was open to fresh, cold air and vast, uninterrupted sights. It generally took about 20 minutes for the motorboat to cross the width of Brahmaputra. With the distant sights of shops and houses dotting the North Guwahati shore, the ferry ghat and miles and miles of green forests on the other shore, a faraway, lonely, majestic bridge, an isolated, slightly confused island in the middle of the river, birds trying to compete with the speed of the motorboat just above the water surface, the smell of rain hanging in the air, the taste of wet and dripping, subdued and afraid sunlight, the all pervading noise of complete silence, only broken incidently by the soft touch of cold air on my ears, I could not think of anything non-consequential like the struggles, sorrows and rewards life. I just used to curl up my legs and hold on to my jacket a bit more tightly to counter that ever penetrating cold. But my eyes were always looking into the distance, trying to absorb as much as possible.

A photographer's dilemma

Its not the latest news that the world is a cruel and a partial place to live but nowhere does this cruelity and this partiality manifests itself with more force than in the field of photography.

Consider an amateaur photographer, serenely proud of the latest Nikon digital SLR which shot a thousand dollars out of his bank account, a bit overwhelmed by the monstrous contraption that is his new gadget, but nevertheless, deriving hope from the impeccable scenery in front of him and from the confidence which he gained by reading all those reviews which told him that his newly bought camera takes the most amazingest of all photos.

He looks almost patronisingly at the helpless orange sun, the soon to be captured in a 3/2, infinity of the ocean, and those myriad colours which will soon be mercilessly decomposed into RGB. He cannot help but allow himself that smirk of pity which is the natural outcome on the face of a sadist professor when he recieves the answer sheet of the most hopeless student of the class. Confidently, he aims his camera towards the spectacle in the same way as the first German Panzer would have done against the helpless Polish army and prepares to shoot. And then it hits him. Is the focus right? What should I do with the exposure? The Aperture? The filters? The colour balance?

As he is ruminating over these technical sounding words, mother nature, in one of her infinite wisdoms, decides to give the proud snob a piece of her mind and starts pushing the sun down into the ocean at an ever accelerating pace. The photographer, now nervous, discovers the wisdom in the saying that "something is better than nothing" and arrives at the conclusion that "It is now or never". He selects some settings which he thinks will do justice to both the spectacle and his prodigious talent and clicks.

Back in his home, he shows his day's accomplishment to some of his friend's with the enthusiasm of a 5 year old showing off his new toys. He expects some "Ah so beautiful"s, some "How the hell"s and some jealous shuffles. An uneasy silence ensues. Is it approval? I am sure that they cannot find words to describe the beauty that I managed to capture in these photos. Or is it...? And then someone speaks up. "Its fine.".

Now I do not need to explain that "fine" is the cruelest of all human inventions. It never really intends what it means. You use it when you do not want to be rude. It is, on most occasions, the embodiment of total disapproval, just a nice way of saying "you do not have much future here son!". And our amateaur photographer, howsoever hopeless in photography, understands this innuendo perfectly, if not by his ability at detecting hidden meanings but surely by the utter hopeless despair with which the following words were spoken - "Its fine".

Beauty

And I moved my face closer, the rose petal, shimmering in the redness of health, bent near the edges like a child streching his arms after having woken up from a deep sleep, smelling of diving fragrance, filled most of my view. A lone dew-drop, lying confused on its silky skin, reflected my captivated presence on its silvery, transparent surface. As I moved my head a little sideways, the surface of the drop of liquid shone in the brilliance of a dazzling array of colours as it captured the might and the heat of sun in her humble existence. Queer, isn't it? The fact that something as small and insignificant as a drop of water is sufficient to express the complete beauty of something as harsh as the Sun. You can never realize that beauty by looking directly at it. It does not reflect from the surfaces of rivers and oceans. No amount of power can extract that miniscule colourful beauty from its severe heat and light. And yet. Give it the soft touch of the curves of a dew drop and it melts into a beautiful play of colours. As the wind picked up speed, the rose petal started quivering. The dew drop, now helpless and confused, tried to hold her spot against the inevitable but finally gave up and fell off on the ground below. And all that remained on the surface was a faint and intermittent streak of water.

I waited for some more time and when that streak also vanished into thin air, I decided to move on.

Vanity

Before writing anything I would like to mention that by writing this post, I am pretty much defeating the whole purpose of writing this post. I shall explain this statement at the end.

Recently, I abruptly deleted my Orkut account. People asked me the reason behind this sudden decision to which I replied that I just felt like it so I deleted the account. It was more an attempt to avoid further questions than anything else. In reality, the main reason behind this decision of mine was a growing sense of frustration on my part regarding how blatantly I wasted my time on Orkut. At this point I should make it clear that I never consider anything that I do, a timewaste, till it brings me some kind of pure, unadulterated pleasure. As an example, I have been spending atleast 6 hours daily, browsing for news, pictures, trivia etc. about Audrey Hepburn for the last 1 week but I do not think that it is a timewaste. I do not really care what others think as long as this activity makes me happy.

On the other hand, the problem with Orkut was that I was never able to devote any time to it without a sense of guilt. This guilt emanated from my subconscious realization that most of the things that I did on Orkut or that others do, conceal a veiled sense of vanity. The whole purpose of the site is to cash in on the most evil and most prevalent of all human shortcomings i.e. vanity. And this was precisely the argument which embarrased me, scolded me, jerked me and finally woke me up. I almost despised myself for falling into the trap. So I simply withdrew my account.

This brings me to my all important questions. Where does this vanity begin and where does it end ? How much of it should be acceptable before it gets vulgar and blatant ? In what forms does it reveal itself and finally, is it necessary for the existence of society ?

These are big philosophical questions and I would not dare go into their answers with my limited knowledge and understanding. The one thing I can say is that the fact that I want people to read this itself is a form of vanity which in effect defeats whatever I have been talking about. Maybe I will have to stop someday.

Audrey Hepburn

"A thing of beauty is a joy forever" said John Keats, and seldom has man spoken with such precision of observation and such truthful words. Audrey Hepburn certainly represents that beauty.

That joy manifests itself through those big, wide, innocent, endearing eyes. It hugs to the exquisitely carved features of her face and the perfection of her eyebrows. It drips through the urchinesque, naughty contours of her smile and the intoxicated curves of her hair. It breathes in the slenderness of her figure, in the fragility of her fingers, in the ivory perfection of her complexion and the graceness of her movements.

This admiration is not akin to that of a Julia Roberts, or Zeta Jones, or for that matter any other contemprory heroine. This admiration is akin to the admiration which arises when I see the myriad colours of the rainbow on the frail surface of a soap bubble. This admiration is mixed with the fear that, 'go too close' and the spectacle will vanish. Such a beauty can only survive in the safety of aloofness. It should not realise that I am watching. Like a butterfly on a flower. Like the quantum uncertainities.

And I keep watching, hoping that such works of perfect art should last forever even when I am aware that it is not possible. I hope against hope that those eyes will somehow, always retain their liquid brilliance. That that smile will never get polluted by those wretched wrinkles. That those plaits will keep shining in their silken luminiscence till eternity. I hope, but in vain as reality rears its ugly head. And then I look at her photograph again and for that one second, reality is thrown into oblivion. As they say: "A thing of beauty is a joy forever".

Train Journey

बीते हुये महीने में जब देश वापस गया था तो दिल्ली से देहरादून का सफर मैंने ट्रेन से किया था । फ्लाईट से जा सकता था लेकिन मैंने सोचा कि इतने दिन बीत गये हैं, उत्तर प्रदेश की गरमी का अनुभव ट्रेन से नहीं किया । इसी कारणवश स्लीपर का एक टिकट बुक कराया और बड़ी आशाओं के साथ सफर शुरू किया । स्लीपर में जाने का भी एक विशेष उद्देश्य था । आप तो जानते ही होंगे कि जो आनंद चलती हुई ट्रेन की खिड़की के पास बैठकर, खेतों, पेड़ों और मैदानों से छन कर आने वाली हवा की खुशबू और शीतलता महसूस करने में है, वो ए.सी के बंद डिब्बे की क्रत्रिम ठण्ड में नहीं है । जो संतोष स्लीपर की खिड़की के जंग लगे लाल लोहे की छड़ों पर सिर रखकर, एकटक आँखों से बाहर का नज़ारा ताकने में है, वो ए.सी के काँच के पीछे से बाहर कि मिथ्या रंगो से रंगी दुनिया देखने में नहीं है । जो खुशी बारिश के मौसम में खिड़की से हाथ बाहर निकाल कर पानी की गीली स्वच्छता अनुभव करने में है, वो ए.सी के शीशे पे बाहर की ओर पानी की बूंदों द्वारा बनाये, मिटाये जा रहे चित्रों को अंदर से छूने के प्रयत्न में नहीं है ।

लेकिन मेरा मन स्लीपर की खिड़की के संकीर्ण सुख से नहीं भरता है कभी । मुझे तो ट्रेन के खुले दरवाजे की स्वतंत्रता चाहिये । मुझे तो अपने सामने अथाह, अनंत, असीमित मैदान, अपने पैरों के नीचे भागती हुई ट्रेन का तीव्र कंपन, अपने कानों में पहियों के नीचे चीखती पटरियों का क्रंदन और इस मंज़र में स्थिरता बनाये रखने के लिये अपने दोनो हाथों में दरवाजे के दोनो तरफ लगी हुई लोहे की छड़ों का स्वाद चाहिये । इसीलिये मैं अपना आधे से ज्यादा सफ़र हमेशा दरवाज़े पे खड़े रहकर करता हूं ! ऐसे में बाहर शून्य निगाहों से देखते हुये ये मन ना जाने कितनी दुनियां घूम आता है । कितने सारे सवाल पूछता है । कितने सवालों का उत्तर देता है । लेकिन सब चुपचाप, आहिस्ता से क्योंकि जानता है कि कानो में गूंज रहे शोर ने जिस शांती को जन्म दिया है, आँखों के आगे से गुज़र रहे नजारों ने जिस अंधेरे को जन्म दिया है, उसकी क्षणभंगुरता केवल एक आवाज़ के इंतज़ार में है ।

ऐसे ही खड़े खड़े ना जाने कितने घण्टे निकाल दिये होंगे मैने । होश तब आया जब गाड़ी धीमे होने लगी । अभी तो कोई स्टेशन नहीं दिख रहा है फिर गाड़ी कैसे रुकने लगी ? तभी दूर सामने एक छोटा सा स्टेशन दिखाई पड़ा । पूर्वनियोजित स्टाप नहीं था तो मैने सोचा कि शायद कुछ खराबी आ गयी हो । करीब ५०० मीटर खिसकने के बाद गाड़ी मानो ऐसे रुकी जैसे सोमवार की सुबह पांचवी क्लास का कोई बच्चा स्कूल जाने के लिये उठता है । वही आलस, वही हतोत्साह, वही दर्द और उसी तरह रोना । मैने भी सोचा की क्यों ना बाहर उतरके कुछ खाने का प्रबंध किया जाये । स्टेशन पर कोई नहीं था । बल्कि स्टेशन खुद केवल १०० गज का होगा । उस समय ३ बज रहे थे तो मेरे खयाल से बाकी सहयात्री दोपहर की नींद पूरी कर रहे थे । मैं वहां लगी एक बेंच पे जाकर बैठ गया और इधर उधर नज़रें घुमाने लग गया । उस दिन गर्मी इतनी नहीं थी लेकिन धूल बहुत उड़ रही थी । हवा के इस वेग ने खेतों पर फैली हरितिमा में एक बहता स्थायित्ब पैदा कर दिया था । दूर दूर तक फैले सन्नाटे का शोर असहनीय था और इस कर्णभेदी चुप्पी को यदा कदा चीरती कुछ पंछियों की आवाज़ें । जहां तक नज़र दौड़ा रहा था, बस पेड़ों और फसलों की पत्तियों पर हसता हुआ सूरज दिख रहा था। धूल, हवा के साथ उड़ उड़ कर बालों में घुस रही थी और अकेले खड़े उदासीन पीपल के व्रक्ष को परेशान कर रही थी । दूर पीने के पानी के नल से टपक रही रसधार हवा के वेग के कारण अपना रास्ता छोड़ टेढ़ी हो चली थी और प्यासी धरती की त्रष्णा बुझा रही थी । रेल की पटरी इस तरफ भी असीमित, अकेले शून्य की ओर भागती दिख रही थी और उस तरफ़ भी, और इन दो अनंन्तताओं को विभाजित कर रही थी मेरी ट्रेन और यह छोटा सा स्टेशन । सीटी बजने पर मैं वापस अपनी सीट पे चला गया । आधा सफ़र लगभग हो गया था और बाकी आधा मुझे सोते हुये बिताना था ।

Snakes on a Plane

Well I admit it. Moved by my baser instincts, I WATCHED IT. I watched Snakes on a Plane. Not as a part of someone's birthday party but at a cost of 9 freaking dollars. And how do I feel? I have my head held high and am beaming with the smile of self-satisfaction. YES I DID IT AND I WILL DO IT AGAIN.

No matter how foolish the movie seems by its title, one thing is for sure. You have no idea HOW FOOLISH it is unless you have seen it. The only thing more foolish than the movie's premise could be two snakes, dressed in whites and replete with a hat, driving the plane with 10 more snakes serving as air hostesses. But I am not complaining. The movie promised ridiculousness and it broke all barriers of logic. The movie promised cheap thrills and frills and it will take another Ed Wood and the rest of his next life to beat the cheapness of the thrills in this movie. Quiet simply, the movie is so crappy, it has transcended its critics. Their collective expertise is overshadowed by the monstrous ridiculity of the movie. In fact, after the initial jolt, I began enjoying it. For someone like me who is a fan of bad (so bad its good type) cinema, this movie is the pinnacle of human achievement. As someone rightly said, "this movie is quiet simply, the best movie ever made about snakes on a plane!"

Ruksat

आज जब जुदा होने की बात आई,

यह समां इतना रंगीन क्यों हो गया,
मेरा महबूब कुछ ज़्यादा हसीन क्यों हो गया है ।

पानी पे चाँद इतना खुश क्यों लग रहा है,
बीता हुआ वक़्त आज इतना क्यों सुलग रहा है ।

हवाओं की ठण्डी थपकी में आज यह नरमी कैसी ?
रात की कोमल रोशनी में भला यह गरमी कैसी?

और तुम्हारे बारे में क्या कहूं ?

"रंगो, छंदों में समायेगी, किस तरह से इतनी सुंदरता ?"

आज इन आँखों में चांद की शरारत चमक रही है
जैसे कि कितने सारे राज़ इनकी गहराईयों से बाहर आने को बेताब हों
कितने सारे सवाल, कितने सारे किस्से इसकी गर्त में दफ़्न
दिल को कितना ज़्यादा भेद रहीं हैं यह आज
जैसे ना चाहते हुये भी बीते हुये खुशगवांर वक्त की दुहाई दे रहीं हों

और इन होठों पे एक अनसुनी, अनकही दास्ताँ है
मुस्कुराहट इनकी कैद से रहरहकर बाहर झाँक रही है,
जैसे एक डगमगाते हुये, भरे हुये पैमाने से मै की दो बूंदे गिरने को बेताब हों

इन अधखुले होठों पर इतना निमंत्रण क्यों है ?
इस दिल में बेवजह ही इतना कंपन क्यों है ?
इन आँखों के तीर मेरे दिल के पार हो रहे
मेरे सारे हौसले तेरे सामने बेकार हो रहे !

लेकिन ना जानते हुये भी कितनी स्वार्थी हो गयी हो तुम
तुम्हारे इस रूप ने इस कातिलाना मंज़र के साथ मिलके मेरे मन में हज़ार सवाल पैदा कर दिये हैं
इस जुदाई की सार्थकता के बारे में सोचने लग गया हूं।
तुम्हारे बगैर इस सफर की असहनीयता के बारे में सोचने लगा हूं
मैं कितना कमज़ोर, कितना बेचारा और तुम कितनी निष्ठुर, कितनी दूर ।

"इस पार प्रिये, मधु है तुम हो, उस पार न जाने क्या होगा

द्रग देख जहाँ तक पाते हैं, तम का सागर लहराता है
फिर भी उस पार खड़ा कोई, हम सबको खींच बुलाता है
मैं आज चला तुम आओगी, कल, परसों, सब संगी साथी
दुनिया रोती धोती रहती, जिसको जाना है जाता है
मेरा तो होता मन डगमग, तट पर ही के हलकोरों से
जब मैं एकाकी पहुंचूंगा, मझधार न जाने क्या होगा
इस पार प्रिये, मधु है तुम हो, उस पार न जाने क्या होगा"

Hindi or English

Some people recently asked me, "Why have you started posting so many of your posts in Hindi" ? And I kept quiet. Not because of a lack of reasons but because I had too many of them.

The first and foremost reason that came to my mind was an unsaid, subdued sense of revolt on my part against the shimmering facade of a continuously rotting Indian society. Now I could go on and on till eternity without breaking a sweat in reviling and blasting those moms who would rather say "betcha (polluted form of बेटा) corn खाने से stomach में ache हो जायेगा" in the hope that even if her "yet being anglicised" toddler catches a stomach ache on account of the comprehensive impenetrability of her recent gibberish, will atleast move in the right direction away from the poor and pathetic India which is hopelessly polluted by her mothertongue. I could give a million examples without saying an Ah! of those youngsters who try to mercilessly maul language and convert a "my" to "ma" and then to "moi" and finally to "mie" in the hope of forging their unique identity and sounding "khool (polluted form of cool) and who never for a second realize that all achievements both superficial and otherwise, rest on the strength of character and self belief and not on the crutches of a handicapped and bleeding language. I could laugh my ass off at those celebrities who do not anymore possess the talent of entirely speaking in their own language and have to resort to the familiarity of English every now and then. I could laugh surely but I won't as my heart cries out for the apathy which our regional languages have to face in our mass hypnotized nation.

But this is not the reason I have started posting so many of my posts in Hindi. The sole reason behind this is the dawn of my understanding of the subtle possibilities, the creative horizons and succint, inherent power of the Hindi language. The reading of Harivansh Rai Bachchan's नीड़ का निर्माण फिर, Mahadevi Verma's अतीत के चलचित्र, मधुशाला etc. has awakenden me to the immense facets of the language. I can safely say that whereas on one hand English seems to be better at expressing formality and logic, it can hardly match the silken fluidity of Hindi and Urdu at expressing emotions. It seems to me that this effect is do to the overexposure of English and some of its inherent weaknesses. Whereas we all have grown up studying English literature and are cognizant of its twists and turns, a simple verse in Hindi (Urdu) is enough to knock us off our sleep, sit up and take notice. Ironically, this is because of the unfamiliarity with the language which the Indian culture has introduced in us. Second reason is the simple fact that Hindi is better suited to rhymes and verses than English. One of my previous posts (Plight of an English poet) dwells on this. As an example, read these lines which describe the utter hopelssness and cynicism of a poet:

क्या करूं संवेदना लेकर तुम्हारी?
एक भी उच्छवास मेरा
हो सका किस दिन तुम्हारा?
उस नयन में बह सकी कब
इस नयन की अश्रुधारा?
सत्य को मूंदे रहेगी
शब्द की कब तक पिटारी ?
क्या करूं संवेदना लेकर तुम्हारी?

I would be more than happy to explain them if someone has any problems, but my point is that it is impossible to express something so subtle, so beautifully in English. Its just impossible. Atleast I haven't seen anything comparable till now.

Finally, I would end by urging that please give your languages the attention they deserve. Not because you owe anything to them or because it is your unsaid duty but because you would deprive yourselves of the immense treasures, those languages might be holding within. I will end by saying that I have nothing against English but I simply hate it when it becomes a status symbol in the hands of some non-discerning fools and ends up trampling and stomping our already tottering national language.

15 August

आज पूरे ६ साल बाद अपने पुराने स्कूल के स्वतंत्रता दिवस समारोह पे गया था। इतने दिनो बाद पहली बार यह अवसर आया था जब १५ अगस्त के दिन मैं लखनऊ में ही था। इसलिये मैने सोचा कि क्यों ना कुछ पुरानी यादें ताज़ा कर ली जायें। बड़ी मुशकिल से सुबह सात बजे उठकर, तय्यार होकर साढ़े सात बजे तक स्कूल पहुच गया।

दरवाज़े पर गार्ड ने एक अपरिचित चेहरा देखने पर कुछ सवाल पूछे और सन्तुष्ट होने पर गाड़ी अन्दर ले जाने दी। मुझे ध्यान है कि मेरे समय में गार्ड केवल नाम-मात्र होता था। उसको एक अमरूद दे दो तो खुद ओसामा-बिन-लादेन को अन्दर जाने की अनुमती दे देता। क्योंकि ध्वजारोहण में अभी भी आधा घण्टा बचा था तो मैने स्कूल का एक चक्कर लगाने का निर्णय लिया। जिस स्टाफ रूम में पहले जाने में पसीना आता था और अन्दर पहुचते ही अनायास ही हाथ पीछे और चाल सीधी हो जाती थी, वो थोड़ा निर्जीव सा लगा। ऐसा नहीं है कि अन्दर घुसते ही कुछ नज़रे मुझ पर नहीं गड़ गयी थीं लेकिन आज वो नज़रे मुझे टटोल नहीं रही थीं। आज उनमे वो सवाल नहीं था कि 'बेटा आज क्या घपला किया'। अगर उनमे कुछ था तो बस एक रुचिहीन कौतूहल। प्रिन्सिपल का कमरा वैसे का वैसा ही था और स्पोर्टस फील्ड में भी अधिक बदलाव नहीं था अलबत्ता उसके चारो ओर की दीवारें ऊँची हो गयी थी (हमारे क्लास के बच्चे उसको फाँद फाँद के मूवी देखने खूब जाते थे)। फिज़िक्स लैब वगैरह में L.C.D प्रोजेक्टर लग गये हैं लेकिन वही ३० साल पुरानी काँच की शीशियां जिनके लेबल आज से ६ साल पहले ही धुधले पड़ गये थे, वही पुराने चार्ट जिनको शायद ही कोई बच्चा पढ़ता हो कभी, वही आरामतलबी टीचर्स और खड़ूस लैब-असिस्टैंट।

आठ बजने में १० मिनट पर मौरनिंग असेम्बली की तय्यारियां शुरू हुईं तो मुझे वो दिन याद आ गये जब एक साल बीतने का अनुभव सिर्फ प्राईमरी के बच्चों से हर साल बढ़ती दूरी के रूप में होता था। बारहवी क्लास और हममे और उन नादानों में १० लाईनों का फासला! प्रिंसिपल के हाथों ध्वजारोहण हुआ और साथ में राष्ट्र गान। मैं ये कभी नहीं समझ पाया कि मेरे लिये राष्ट्र गान का महत्व पहले की बनिस्पत अब इतना ज़्यादा क्यों हो गया है। पहले जिसे मैं सिर्फ एक गीत और ज़िम्मेदारी समझता था, अब उसके मायने कहीं दिल से जुड़ गये हैं। और आज जब मौका स्वतंत्रता का था और सामने तिरंगा लहरा रहा था, मैं अपने हाथों पर खड़े हो रहे रोओं की सरसराहट साफ महसूस कर रहा था। हवाओं मे गूंजते 'ऐ मेरे वतन के लोगों' के स्वर मेरे कानों में प्रतिध्वनित हो हो कर दिल की धड़कनों को उकसा रहे थे। मुझे नहीं पता की और लोग भी ऐसा महसूस करते हैं कि नहीं लेकिन मैं साफ समझ रहा था कि उस दिन क्यों पण्डित नेहरू अपने आँसू नही रोक पाये थे।

कार्यक्रम के अन्त में प्रिन्सिपल साहब की एक उबाऊ स्पीच (कुछ चीज़ें कभी नहीं बदलतीं!) और फिर मिष्ठान वितरण (२ लड्डू!)। वापस आते समय सोच रहा था कि उन दो लड्डूओं वाले समय के लिये आज मैं क्या नहीं दे सकता।

A cricketing slugfest

आँखों मे जलती धूप और मुह पे लू के थपेड़े,
पसीने से भीगी शर्ट और धूल धूसरित उज्जड़ बाल ।
रहरहकर नंगे पैरों में चुभते वो कंकड़ हजार,
अगली गेंद से नज़र हटने का लेकिन ना कोई सवाल ।

मुनियों की सी एकाग्रता और गेंदबाज पे पैनी नज़र,
गदा समान बल्ला मुठ्ठी में कसकर पकड़ खड़े तय्यार ।
फील्डर और सीमा का, अवचेतन मन में चित्र खिंचा,
तन गई भुकुटी लो शुरू हुआ अब अगली बाल का इंतजार ।

अपना पूरा ज़ोर लगाकर, गेंदबाज ने फेकी गेंद,
सन्नाटे को चीरती बढ़ती, ध्वनि-सीमा को कर गई पार ।
एक कदम कर पीछे लेग पे, बल्लेबाज ने बल्ला भांजा,
दम टूटा फील्डर का पीछे, आगे देखो हो गये चार ।

उल्लासोन्मादित हर्षित दर्शकगण, चहक उठे और उछल पड़े,
तालियों और नारों कि गूंजों से, होता जीत का अभिवादन ।
बल्लेबाज कंधों पे चढ़कर, प्रशंसा का करता रसपान,
हार कठिन है सहनी लेकिन, उससे भी दुष्कर यह क्रंदन !

-Self

I remember

न जाने क्यों, अचानक आज वो दिन याद आ गये जो अभी तक बीते हुये सावन में मिट्टी की सोंधी महक की तरह दिल के किसी कोने में, धूल कि कई परतों के नीचे दबे हुये थे।

मुझे याद हैं वो लम्हे जब वो आँखें धड़कने तेज़ कर देती थीं।
मुझे याद है कैसे उसके सामने आवाज़ मेरा साथ छोड़ देती थी।
मुझे याद हैं वो पल जब वो एक नज़र एक नयी उमंग जगा देती थी, और कैसे मैं उन पलों को बार बार ज़हन में उलटता पलटता रहता था।
वो कुछ बार जब दो शब्द निकले हों मेरे मुह से।
वो कुछ बार जब दो शब्द निकले हों उसके मुह से।
वो शर्म से उसका उंगलियाँ चटकाना और रह रहकर बिना वजह किसी और ओर देखना।
वो बेबाकी से नज़रों का मिलाना।
वो मीठा सा तसव्वुर और बेसब्र इंतज़ार।
वो किताबों के पन्नो में उस सूरत की ख्वाहिश।
वो आँखों के आगे धुधलके की परत िजसपे वो चेहरा खिंचता था।

वो दिन जब आखिरी बार उसे देखा।
वो शब्द जो ज़ुबँा पे आ न सके।
वो अरमान जो इन आँखों के साथ ही पथरा गये।
कितना कुछ कहना था, कितना कुछ सुनना था,
शायद दोनो ओर से पहल का इंतज़ार रह गया।

और आज इन हाथो में फिसलती जा रही धूल बची है।
वो धुधलाता हुआ चेहरा जिसको अब पहचानना मुश्किल हो चला है।
गये सावन की वो महक जो अब एक याद बनकर रह गयी है।
डूबते हुये दिन की वो आखिरी किरणें।

-Self

Brave New World

Recently, a friend of mine asked me : "So what differences do you find between Indian and American culture ?"
I bluntly replied : "What culture ?"

Huxley's 'Brave New World' depicts a fictional dystopian society where everyone is happy. This happiness is not a result of personal milestones or successes but stems from the complete removal of every social aspect which might some day become a reason of unrest in the society. In this society, individuals are 'created' artificially based upon the demands of 'economic consumption' and 'labour'. Every individual, from birth, is conditioned to do a particular type of work and has the sole purpose of serving as yet another consuming unit. 'Distractions' like love, art, solitude, literature etc. have been conveniently removed from the system so that every individual may serve its purpose of consumption without any undue interruptions. 'Everyone is meant to be for everyone else' so that the pain associated with love and refusals is uprooted from the society. In short, everyone is happy.

While reading the book, I could not help but compare the nightmarish scenario depicted in the book with the present American society in general and the modern Indian society in particular. Having taken the blue pill of mindless capitalism, the dwellers of these societies have now been reduced to mere consuming units. Their lives are dictated by those idiotic TV commercials. Their needs, magnified by the giant corporations which try to sell them everything from nutritious and great tasting 'dog food' to credit cards to cars and what not. The notion that all these material amenities are necessary for emotional fulfillment and happiness is darkly etched in the collective psyche of these societies. Love in these societies, is conveniently compartmentalized into manageable, separate 'relationship' slots so that every 'break up' has the silver lining of being an indication of a new 'relationship'. Sitcoms like 'Sex and the city' expect us to identify with the emotions of the protagonist as she tries to overcome her 50th break-up. What crap!. In such societies, art, literature and happiness which results from solitude and silent contemplation die a cruel death as no one has time for such things. And this behaviour is entirely in accordance with the capitalist views. Its sad that in a place where events like valentine's day, mother's day, father's day and a zillion other days are marked by 10 advanced days of special advertisements of sales and discounts, a 4th of July passes off without even a single mention on the T.V. Sure, it is accompanied by fireworks but they are the prerogative of the Government not the people. Sure, it is accompanied by a host of parties, but I feel that people out here just need an excuse for getting wasted. This is not the sad part. The sad part is that the modern Indian society is frighteningly similar to its American counterpart.

A borrowed experience

It may be attributed to my own lack of creativity lately but this piece is encouraged by one of my friend's experiences.

The whole point in question is to pause for a second and analyze the hell out of the latest embarassing situation which your ingenuity has pushed you into. The situation does not need to be described in detail to you as it should be as familiar as your right hand and as unpleasently yellow as the stinking piece of vegetable which finds itself drenched in the light of the day after 3 months of neglected solitude in the lower most part of your refrigerator basket.

The situation rears its ugly head when you innocently remark over your hatred towards fatty foods in front of an especially portly person, when you ask a disabled subject, why the hell is he hobbling like that or when you start sermonizing over the utter futility of a particular academic field to your uncle whose dear toddler happens to have just started his career in the very same field.

The point of this post is not to summarize the various situations pertinent to the present discussion, for there are infinite, but to analyze the exact emotions which rush through the already cluttered mind during such circumstances.

The first thought which comes to mind in these cases is an unconscious realization that einstien's special relativity is flawed as without any apparent relative velocity between me and the subject of my comments (which by the way has become the most appealing aspect of all of physics at this moment) my clock has somehow become unbearably slow. The expressions on his face, which till now were as innocuous as the next person's, now stand out distinct, deprecating and deploring. He is trying hard to camouflage his embarassment with that forced and laborious streching of the left corner of his lip but reality is frustatingly being bombarded upon me by those wretched eyes which have blinked twice the normal number of times in the last 10 seconds. As I realize that probably history had just been witness to the longest period of speechlesness, my faculties go into an overdrive with the aim of salvaging whatever is possible in this hopelessly lost situation. What should I say next?

1. Well, I am sorry but somehow, inexplicably, inscrutably, I happened to overlook your enormous East-West expanse (a reply, sure to make the situation worse).
2. (matter of factly): by the way, did you happen to watch the finals of the french open? (how will I ever face myself in the mirror)
3. Shit!!! (most honest but honesty doesn't always make a digestible meal to everyone)

As I am ruminating over these possibilities, I again realize that 46 more seconds have been spent and now the probability of saving my face is lesser than my being hit by a lightning right at this very moment (a much pleasanter state) and I, in a rare display of callousness and daredevilry turn my face away as if nothing ever happened.

Sporty Nerves

Its 5:31 in the morning and I am sitting in front of the TV having just woken up after an extremely intermittent sleep waiting for the french open final between federer and nadal which is slated to begin in another 30 minutes.

I don't remember the last time when I woke up at 5:00 in the morning. Neither do I remember the last time I experienced such jittery nerves regarding a sport match. What I do remember is the fact that it used to be sometime about 8 years ago when a cricket match between India and Pakistan used to trespass my dreams in the night often culminating in my getting up just on the brink of a nervous breakdown. Those were the days when taking the next breath often took a lesser priority than the next ball and when the departure of Tendulkar often meant a fresh hole in the emotional fabric of my life. It is sad that I have not felt like this since a long time now. That is till now.

For the last few years, I have gotten so ennamoured by the genius of Federer that his victories have become my own and his losses, sad heart wrenching experiences. Since it is foolish to dissect emotion with something as crass as logic, I won't go into the reasons of my feeling this. I would only go as far as saying that I love this. It makes my life complete. To feel that gut wrenching nervousness, that rush of adrenaline over a brilliant passing shot, an almost unannounced shriek accompanied with that raised fist at another victory, is as innocent and raw as emotions get.

If only I could feel like this for another India-Pakistan slugfest.

The Reservation Impasse

For about a month now, I have been following the quota controversy as closely as is humanely possible by a person residing in the U.S. My opinion over the issue, thereby, has undergone several cuts and chips over this period of time. Begining from an intense emotional backlash and ending in a much more rational interpretation of the situation, I think I am in a good enough position to comment over the issue now.

The spark

A few months back, the coalition Government of India headed by the Congress party introduced 27% reservations for OBCs (Other Backward Classes) in all the institutes of "national importance" (later extended to all institutes of higher education). This decision was promulgated by the HRD (Human Resource and Development) minister, Arjun Singh. Summing with the already existing 22.5% reservation for SC/ST, this decision took the total reserved seats to 49.5% (just .5% shy of the upper limit of 50% reservation set by the Supreme Court of India). This decision came just before the assembly elections which are supposed to be held in 5 states. Caste politics which has always been the most important vote garnering means in India seemed to be the reason behind this sudden decision. When enquired (and to some degree reprimanded) by the Election commission over an alleged breach of the model code of conduct (which prohibits parties from promulgating populist measures just before an election is due), Arjun Singh took refuge in the argument that the present decision was just a natural succession of the 93rd constitutional amendment passed in the winter of 2005 (which was unanimously passed in the Parliament). Although sound, the argument failed to explain the fact that the constitutional amendment was just an enabling act and unlike many other such acts which are languishing and begging for attention, what was the reason that this particular act had to be implemented at such a crucial time.

The Mandal Controversy

There is a very important reason behind the nationwide political support to the reservation issue. The Mandal Commission, constituted in 1980s to assess the composition of India's caste fiber among other factors, came up with a figure of 52% OBC. The commission in an effort for suggesting ways by which the oppressed majority of the Indian population could be brought in par with the upwardly mobile middle class supported the implementation of limited reservations. The commission however went on to suggest other steps like improving primary education, land reforms etc also. It was not until 1990 that the suggestions of the Mandal commission were given a thought. The then Prime Minister Vishwanath Pratap Singh decided to incorporate 22.5% SC/ST (the most oppressed classes) reservations in higher institutes neglecting all the other suggestions owing to their low political visibility. By doing so, he opened the pandora's box. The Bhartiya Janata Party (BJP) which has traditionally ridden on the upper caste votes vehemently opposed the move then. They were made to bite the dust as caste emerged as the latest dividing and polarizing factor in Indian politics. The move created huge uproar among the general public and culminated in the self immolation of several youths. Following this, V.P.Singh resigned as P.M and was succeded by P.V.Narasimha Rao. The caste division of politics got wider and uglier as national politics came to be dictated by caste leaders like Lalu, Mulayam, Mayawati and many more. Due to this BJP lost power in one of her stronghold states, Uttar Pradesh. Now that caste is very much the deciding factor in most of the constituencies across India and SC/ST+OBC votes range from a pessimistic estimate of 50% to an optimistic estimate of 80%, no political party dares to raise her head against the increase in reservations this time around.

The present agitations

The latest move angered the influential minority which comprises basically of the middle and the upper classes. Begining with strikes from the medical students of AIIMS in delhi, the protest as of today has engulfed the IMA (Indian Medical Association which has purview over other medical facilities across the country), the IITs along with many other engineering institutes, the chamber of commerce, the knowledge industry in general, the lawyers' association, trade unions, shops etc. Despite repeated pleas by the Govt. and the president (and once by the Supreme Court), the strike continues today, thus hampering critical services like medical etc. The quota move triggered the resignation of 2 of the 6 members of the knowledge commission (especially comprised by the Prime Minister to assess the education scenario of the country). The matter has now been taken up by the Supreme Court which has asked the central government about the rationale behind this decision in addition to asking the strikers to stop their protest.

My Views

Rationally speaking, I feel that in a highly heterogeneous society like India, reservations, if used judiciously, can serve as a strong means of achieving social equality. The fact that after 50 years, the need of reservation has only increased goes on to indicate that its implementation has been done from behind politically coloured glasses. The fact of the matter is that no political party (especially today's Congress) wants a rationally developed vote bank. The reason behind the widespread poverty and illiteracy in India is not any physical constraint but an underlying politican gain which stems from an impoverished majority. In such a scenario, political parties can garner votes over baser issues like caste and religion rather than more important topics like development and education. In this context, the present move is more the case of breaking the leg of a patient and providing him with walking sticks than striving to improve his condition and enabling him to stand on his feet. The whole issue stinks of political murkiness and I pretty much support the ensuing protests.

On the other hand, one has to keep in mind that SC/ST/OBC comprise atleast 50% (possibly much more) of the 1 billion Indians. These classes have traditionally been discriminated against and there is a genuine need to provide them with help and assistance. The help might come in the form of reservations but it should be based more on economic backwardness than the now abstract notion of caste backwardness. Moreover, any such move, which threatens to change the face of the country should be backed by more concrete numbers rather than the whims and fancies of one HRD minister.

Finally, over the apparently cold governmental response over the present strikes, I can only say that the middle class deserves such a treatment. The reason is the utter apathy which the middle class (sadly including me) displays over other issues of national importance (like the Coffin scam, Gujarat riots etc.). Now when it has suddenly woken up and started protesting, everything seems so selfish. How many of us really go and vote? If we are too busy to voice our opinions, the political parties would be more than happy to ignore our presence because as I already said, the oppurtunists called politicians thrive on an illiterate and divided India.

Poseidon

If you have been a veteran at the numerous screenings of those mind-numbingly dumb hollywood disaster flicks, what is the first thing that comes to your mind when you are presented with a 360 degree span view of a garangutan ocean liner, the inners of which are ornately decorated with elaborate doses of blindingly affluent profligation. How and when the hell is all this going to be turned into a confused and lethal mass of mangled wires, upturned furniture and strewen dead bodies?

As you are rubbing your hands in expectation, the director of Poseidon, sympathetic to your 8 bucks, glosses over any unnecassary character development and jumps straight to the action within 15 minutes of the start of the movie. Without any detail being supplied, the hapless audience is told that the Poseidon has been struck by a 150 ft. rogue wave and the ship has turned upside down (as if the passengers, now standing on the cealing are dumb enough to not figure this out). The film is not helped by its irritatingly banal dialogues. At the time when the grand central ball room is looking like the mangled remains of Hiroshima after the bombing, replete with disfigured corpses flying around every which way, one person asks the other, "How bad is it". "Really bad". As this line basically sums up the movie you can only tear apart those last remaining hair.

As the most foolish captain in the history of foolish sea-disaster movies cries to maintain status-quo as he thinks that help will arrive shortly, it is no surprise when a group of dare-doers led by the affectedly unnerved Lucas decide to reach the hull of the ship and get out. From this point you can basically guess whats going to happen in the movie. The group consists of Lucas (the daredevil hero), a former mayor with his daughter and her boyfriend, a mother with her child, a mexican waiter, a latino and a suicidal gay businessman. As far as final survivors are concerned, you make the following conclusions:

1. The mother and the child are not going to die as possession of a child imparts an immortalty to the mother and it is too sickening to kill a child, no matter howsoever irritating and troublesome he might be.

2. Josh Lucas is not going to die as he is ofcourse the "Hero".

3. Either of the girl or his boyfriend might die but if she has an expendable father, both might get saved.

4. Since the mexican waiter and the latino are played by relatively unknown characters, they will be the first to die.

and the movie lives up to all these observations. The only other things which should have been un-guessable are well, guessable. Like the lift falling down when the last guy just makes out of the vent. The sudden movement by an assumed deadbody accompanied by an orchestral bang. The water drowing the hero for just as long as he might survive.

The sole revelation of the movie was that the actors, instead of being homo-sapiens, belonged to some kind of a human-fish breed who could hold their breaths for unimaginably long intervals of time and traverse unimaginably long distances under water.

A final word. You can put your time to better use by counting the number of grass strands in your lawn.

Random Musings

The day has become so cruel now. Its no more the friend which used to conspire in our plans, cheer at those shots, revelle in our victories, lament at losses, confide silently, listen patiently, wait for me. Now, its so much more detached. Like a salesman, always in a hurry, phoney, like life, critical, demanding, too busy to pause for a chat, too short to allow a breath, too long to bear, too hot for a liesurly introspection, too cold to be a friend.

I remember the rising of the annoyed dust as the first rain drops came crashing down. I remember the smell of the partially wet earth. The unusually fresh green of the garden. Those puddles. That warm touch of the cold water. The dripping flocks. The shivering wind. The unusually grey sky. Distant, muffled lightning. Streaks on my window pane. Ripples in the river. Jumping in the puddles. Two worlds, one wild and turbulent, other snug and cozy, separated by a glass window. Now, rain is reduced to an inconvenience. A temporary, unwanted hiatus disturbing normalcy. The window has gone lifeless. Its there just to serve the purpose. The metaphor is gone. And the rain, desolate now, cries quietly on the other side.

I wonder, have the sacrifices been worth the gains? In this rush, innocence has paled and died. Time is fragmented with each fragment already claimed. There is a thick coat of dust on real pleasures. And I shrink and flinch as I try to remove it. Finally I give up and that bundle of joys, now blurred and hidden in the dust which binds my hands, hangs on the wall, sad, lonely, perhaps disillusioned and on its deathbed. And I look on, with nostalgic eyes, weigh reason against emotion, and turn away yet again.